Entries Tagged 'Pop Culture' ↓

The Body Double English Rose Duvet Cover Bedding Set, above, will make people who stumble into your lair think that you’re stretched out there, buck naked, and covered in ruby-red roses. That is, unless, like most of Earth’s women, you’re brown. Or you’re a guy. Double-sized w/ two pillowcases. Machine-washable, 50/50 cotton-poly. $40.

[via 1designperday.com]

Count on cash-strapped photog Annie Leibovitz to dig up the Tiger-Woods-As-Black-Man-You’d-Lock-Your-Car-Doors-For shot, now the cover of the new Vanity Fair.

Is the hatred his wage for casually tapping a baker’s dozen of white women? Can’t imagine that VF, or the rest of American media, would’ve cared if he’d been married to a sister, and/or had cheated with a cluster of ’em. In any event, it certainly wouldn’t have ranked this Oz reject photo.

Yo, Tiger: If you didn’t know it yet, the Cablinasian Era is officially over.

I didn’t know the name or work of Nollywood actor Genevieve Nnaji, above, before today’s rebroadcast of Oprah‘s “Meet the Most Famous People in the World” episode. But I’ll be looking for the 30-year-old’s films in 2010. Consider that my New Year’s resolution.

In this Dutch teaser poster, above, for director Atom Egoyan’s upcoming erotic thriller, Chloe, actor Amanda Seyfried plays the titular femme fatale. Indeed, the eyes have it.

[via impawards.com]

Grab a red cup and join, l-r, above, Josef Stalin, Fidel Castro, Vladimir Lenin, Mao Zedong, and Karl Marx in The Communist Party t-shirt by designer Tom Burns…’cause a proletariat party don’t…stop! Only $10 in various sizes. By Threadless.

Infinity and beyond: Experience Music Project, Frank Gehry, architect
Photo by Victor Gin

That Toronto-born Frank Gehry is the world’s most famous living architect, many would argue, is without question. It is best demonstrated, they’d say, by the instant recognizability of his style. Anywhere one sees it passionately realized—for example, in the flamelike arcs of Seattle’s Experience Music Project, above—one knows that only a single person could be responsible for that building.

Others would urge that his having been awarded not only the Pritzker Prize—”architecture’s Nobel,” as it is often regarded—or the American Institute of Architects Gold Medal but also the U.S. Congress’s National Medal of Arts, above, puts him in a singular class. Still others would note that he and his work were examined in a film by an Academy Award-winning director: Sketches of Frank Gehry, by the late Sydney Pollack, one of his his last films and only documentary.

I’d say, however, there’s really only one truly objective proof of Gehry’s renown: He’s the only architect alive to be featured on The Simpsons. In a 2005 episode, right, he’s hired to design a concert hall so that Springfield’s citizens will appear more sophisticated to their neighboring Shelbyville.

Of course, that it’s ultimately closed and turned into a prison isn’t the point. It’s that Gehry’s work has so much mindshare the Simpsons‘ writers felt him suitably big enough to both feature and lampoon on a mainstream animated series. An architect.

That episode aired, however, right around the time that, in real life, Gehry, right, had begun a new project with L.A.-based cultural writer Barbara Isenberg. She’d interviewed him numerous times over a twenty-year period, and Gehry, then 75, had just approached her with, literally, a once-in-a-lifetime offer. “He asked me if I would help him organize his memories through an oral history,” the journalist, below, says on her web site.

I was immediately drawn to the idea, having enjoyed our many earlier interviews, and what began as an oral history soon evolved into the conversations I’ve edited here. Since December 2004, Gehry and I have met regularly at his Los Angeles office and Santa Monica home, over restaurant breakfasts and conference room lunches. We’ve talked about the family he was born into and the families he created, who he wanted to be and who he became, what architects do generally and what he does specifically, always coming back to the family, cultural and geographic forces that have shaped his aesthetic.

Barbara Isenberg talks about Conversations with Frank Gehry, the book she authored, based on those interviews, during my WBAI-NY / 99.5 FM radio show, NONFICTION, this afternoon, Friday, December 18, at 2 pm ET.

You can hear her ideas—and Gehry’s—by tuning in at 2 pm. If you’re outside of the New York tri-state, check out our live stream on the web. If you miss the live show, dig into our archives for up to 90 days after broadcast.

Exactly twice, I’ve bought DVDs after seeing clips cut out of them on YouTube. One was Kraftwerk’s live, 2005 Minimum-Maximum DVD, which I then wrote about on Media Assassin.

The other is from the 2000 documentary Steely Dan: Aja, from the Eagle Rock Entertainment Classic Albums DVD series on the making of legendary discs.

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With their Google Books service, the world’s dominant search engine is making the contents of everything from Arts & Crafts Homes and the Revival to Texas Monthly to VIBE available through anyone’s computer.

But this is the motherlode, friends: Weekly World News, the self-proclaimed “world’s only reliable news source since 1979.” (Google’s archives go back to 1980.)

Can you believe it? That’s the January 2, 1990 cover, above, courtesy of Media Assassin, complete with nutty Xmas messages and puerile racism. “Baboon boy”? It get’s no worse, people. It gets no better.

That’s “The DoChoDo Zoological Island,” above, a fantastic rendering of an environmentally neutral structure, designed by Brussels-based JDS/Julien De Smedt Architects, from the retrospective of their work, Agenda.

[via bldgblog]

Precious, Lee Daniels’ adaptation of author / poet Sapphire’s 1996 novel, Push, has gained wide acclaim for the director. Perhaps even more, though, it has procured deeper regard for both Gabourey Sidibe, as the titular, obese, frequently-raped, illiterate, 16-year-old Claireece “Precious” Jones, above, and comedian Mo’Nique, as her acid-tongued, trigger-hair-violent mother, Mary.

Unless you closely study indy film credits, though, you may not heard of Precious executive producer Lisa Cortés, right. (A sr. v.p. with Lee Daniels Entertainment, she’s also worked with Daniels, in varied roles, on the Academy Award-winning Monster’s Ball, The Woodsman, Shadowboxer, and Tennessee.)

That Cortés does this in comparative obscurity, however, may prove she possesses what those in a producing role actually need, even more than publicists: The ability to work relentlessly, behind the scenes, to make movies happen, and an ego healthy enough not to pursue media visibility as its own end.

Lisa Cortés is a guest today on my WBAI-NY / 99.5 FM radio show, NONFICTION, this afternoon, Friday, December 11th, at 2 pm ET.

Then, Theodore Gray, is cofounder of software company Wolfram Research, makers of the legendary Mathematica. But that’s just his day job. In his spare time, Gray writes Popular Science‘s “Gray Matter” column…and collects samples of the 118 elements which populate the periodic table.

But why leave all that hydrogen, helium, and ununoctium just sitting there? Working with Nick Mann, the two shot seemingly everything in Gray’s hoard for publication.

The result is The Elements A Visual Exploration of Every Known Atom in the Universe, right.

Organized in order of appearance on the periodic table, each element is represented by a spread that includes a stunning, full-page, full-color photograph that most closely represents it in its purest form. For example, at -183˚C, oxygen turns from a colorless gas to a beautiful pale blue liquid.

You can hear Lisa Cortés’s and Theodore Gray’s ideas by tuning in at 2 pm. If you’re outside of the New York tri-state, check out our live stream on the web. If you miss the live show, dig into our archives for up to 90 days after broadcast.