I don’t have a dog in this fight over Mo’Nique Imes-Jackson not doing promo, leading up to the Oscars, above. (Those were “the politics” of which she spoke during her acceptance speech.) I was only faintly aware of the controversy as it was happening, and I’m guessing that most people think Oscar marketing is far and away over the top.
I thought her performance as hyper-abuser Mary Jones in Precious was incendiary; frame-splitting. Clearly, she deserved the award, and as many excellent roles as she can now get, which, given race, will probably be few. (Hers is the fifth acting award given to a Black female in 82 years.)
I thought the Hattie McDaniels mention was a fine touch, though a little anachronistic. I mean, as much as I hated Halle taking it doggystyle from Billy Bob in order to get her statuette, Berry’s mention of contemporary female artists who’d been denied awards seemed, to me, a much more pungent tribute.
No, the only problem I have with Mo’Nique’s testimony at last night’s awards—and I’ve not seen anyone address this—is why didn’t she thank director Lee Daniels or lead Gabourey Sidibe, right, by name?
Mariah Carey powerfully sets up Mo’Nique’s whole last scene. Not a single syllable in her direction, though?
Yeah, I know: She said, “my Precious family”? C’mon: Does that really cut it?