My friend MaryKay sent me this riotous clip, above. Apparently, it uses Maya, Poser, or some other animation software to visualize a likely scenario for Tiger Woods’s November 27 car crash—the one that has opened up, not only the right front end of his car but, a window into his clearly troubled marriage.
The bit, produced by 1-Apple news of Taiwan and narrated in traditional Chinese, is mixed with photo stills and police press conference footage, but that’s merely styrofoam peanut padding for the good stuff.
In the videogame-looking sequence, Tiger’s wife, Elin, becomes enraged and strikes Tiger in the face, above, upon learning of his relationship with his alleged mistress, Rachel Uchitel, pictured in the thought balloon inset. The golfer escapes their home and the conflict in his car, but his wife then takes off after him, above, clutching one of his prized golf clubs, striking at the car. Woods, distracted by her pursuit, then runs into a hydrant and a tree.
Tiger Woods issued this brief, 317-word statement today on his web site:
“I have let my family down and I regret those transgressions with all of my heart. I have not been true to my values and the behavior my family deserves. I am not without faults and I am far short of perfect. I am dealing with my behavior and personal failings behind closed doors with my family. Those feelings should be shared by us alone.
“Although I am a well-known person and have made my career as a professional athlete, I have been dismayed to realize the full extent of what tabloid scrutiny really means. For the last week, my family and I have been hounded to expose intimate details of our personal lives. The stories in particular that physical violence played any role in the car accident were utterly false and malicious. Elin has always done more to support our family and shown more grace than anyone could possibly expect.
“But no matter how intense curiosity about public figures can be, there is an important and deep principle at stake which is the right to some simple, human measure of privacy. I realize there are some who don’t share my view on that. But for me, the virtue of privacy is one that must be protected in matters that are intimate and within one’s own family. Personal sins should not require press releases and problems within a family shouldn’t have to mean public confessions.
“Whatever regrets I have about letting my family down have been shared with and felt by us alone. I have given this a lot of reflection and thought and I believe that there is a point at which I must stick to that principle even though it’s difficult.
“I will strive to be a better person and the husband and father that my family deserves. For all of those who have supported me over the years, I offer my profound apology.”
Be real, folks: When a ninja visits your apartment, the worst thing you could do is offer him a regular old hanger for his jacket.
C’mon! Ninjas live lives of vitality, stealth, and daring. You need to make sure you have these Ninja Star Coat Hooks ready. Each 4″ x 4″ x 0.31″ weapon
is made out of super strong, nickel-plated zinc alloy. One star tip is replaced with a screw, so you can just pick where you want it and screw it into your wall. It will look like a Ninja has attacked your office and you beat him so easily that you now mock his attempt by using his own weapons to hold up your coat. Wow, how did you get so awesome?
Hundreds of comments were posted on Michaele Salahi’s Facebook page, after the socialite and her husband, Tareq, not only crashed the Obama administration’s first White House state dinner last Tuesday night, but cravenly posted photos documenting their breach.
Of all those FB responses to this outrage, here’s my absolute favorite:
OBAMA: Good evening! Hey: How d’ya like my rundown, ghetto security? Man, I’ve been to rap concerts that were harder to get into…. SALAHI: We like it more than you presently imagine, Mr. President.…
Not bad for not having been invited: In the above photo, released yesterday by the White House, Michaele Salahi, center, and her husband, Tareq, right, are seen meet-n-greeting the leader of the free world, having done nothing but show up.
Oh, bonus: Look who’s next to the president, as is appropriate, given protocol: The guest of honor, Indian Prime Minister Manmohan Singh!
Wow. So, you mean if I, say, support Pakistan’s goal of redrawn borders in Kashmir, all I need do to get close enough to killmy opposition—the leader of the similarly nuclear-armed nation it borders—is put on a tux, go to the White House, and, like Jay-Z suggested, bring a blonde?
Well, this might offend my political connects, but somebody call Islamabad after I stick a fork in him: He’s done!
Amazing. I don’t know if we should throw these two losers in jail for red-teaming the U.S. government, or give them Nobel Peace Prizes for helping avoid World War III.
In January, I spoke with historian Dr. Ronald T. Takaki about his book, A Different Mirror: A History of Multicultural America, for my WBAI radio show, NONFICTION. Specifically, we talked about the new Obama administration, and especially the president’s inaugural address, which he’d given mere hours earlier.
Almost exactly four months later, on May 26, Takaki, 70, ended his own life. He was, as his son said, above, seeking a way out of the pain and debilitation of multiple sclerosis., having suffered with the degenerative neurological condition for 20 years..
Had I known that I would never talk to Ron Takaki again, would I have spoken to him longer, more penetratingly, or differently, in some other way? Certainly. But, more, I’m honored that I had the chance to speak with him.
I’d heard him talk in-person once before, at an otherwise middling race conference hosted by Michigan State University, about a dozen years earlier. He gave an explanation of the term “master narrative”—the history of the U.S. popularly held to be true by most people, and that our powerful institutions overwhelmingly support and reinforce.
For the most part, the master narrative is the story of white people, their victories, conquests, and supposed brilliance. Other people are attached to that tale, from time to time, like appliqués to a jacket. But the amazing race dominates the conversation.
Then, after explaining this concept, Takaki told his own version of the nation’s history. What I remember most is how, as he traveled through time in his story, different groups would appear, act, diminish, then reappear and repeat, over and over. It was almost like watching a master weaver, but one whose fabric was temporal and societal, not material.
With his sad and unfortunate death, our nation lost an irreplaceable educator and innovator. (Deeper, still, was his family’s loss of a husband, father, and grandfather.)
Thankfully, still, we have his ideas, in the form of his many books, and we also have his voice: Ronald Takaki is a guest today, on this encore presentation of my WBAI-NY / 99.5 FM radio show, NONFICTION, this afternoon, Friday, November 27, at 2 pm ET.
He’s preceded by blues vocalist Shemekia Copeland, right, and director Joe Stevens, co-creator of the 2008, sound-systems-on-BMX-bikes short, Made in Queens.
You can hear their ideas by tuning in at 2 pm. If you’re outside of the New York tri-state, check out our stream on the web. If you miss the live show, dig into our archives for up to 90 days after broadcast.
Fellow Scrubs-aholics, no doubt, have this duet from season 6 (“My Musical”) on total recall: After admitting a patient who hears everyone’s speech in the form of singing, the cast works out their usual issues, only tunefully.
For Turk (Donald Faison), left, and JD (Zach Braff), right, above, no topic trumps their bromance. (Favorite couplet: “It’s like I married my best friend / But in a totally manly way!”) Hence their “nothing gay about it” paean to the same.
Today, I’m thankful Scrubs, one of my all-time favorite television shows, will be starting its ninth season on Tuesday, December 1. I’m not hopeful for the series, however. I hope I’m wrong.
Part of this nimble, surreal ensemble comedy’s appeal always lay in the way that it drew nuanced, fully-fleshed out characters, then kept them bumping into each other in highly combinatorial ways. (The central cast consisted of l-r, John C. McGinley, Neil Flynn, Sarah Chalke, Zach Braff, Donald Faison, Ken Jenkins and Judy Reyes.)
Though Braff’s character was central, and, thus, certain relationships were core to the series—see above—it’s hard to think of a character that didn’t have a significant storyline with any other one. So those relationships were, as they are in the best comedies, a big part of the show’s appeal.
All that seems to have been decapitated. After numerous false starts, word is that the new season changes the show’s location from a hospital to a medical school; that McGinley, Faison, and Flynn will be the only regulars, as other cast members make occasional appearances; and that a whole “new generation!” of scrubs will be entering the cast, right.
All of which is enough to make you long for earlier, better days, when Braff wasn’t yet making $350,000 an episode, and Scrubs hadn’t yet jumped the shark.
Michael Jackson was, of course, one of my cultural heroes, but notoriously a punching bag, seemingly incapable of ever fighting back against those who taunted and tormented him.
George Carlin, right, was another one of my esteemed art warriors, but 180 degrees away from Jackson in temperment, ripping new holes into targets at will. (Carlin died in June 2008; Jackson passed almost exactly a year later, in June 2009.)
So, when I heard that Carlin had once recorded a short statement about why Jackson was the greatest entertainer ever, “bar none,” needless to say, I was expecting a harsh, satirical assassination, given his notoriously acidic tongue and ribald takes on human folly.
Instead, the results, though scarcely a minute in length, and profane–audio NSFW, kiddies–are also profound. Carlin not only defends and hails Jackson, but he takes carefully considered aim at sacred American heroes, like Elvis and Sinatra, to make his point.
In honor of the recent, posthumous release of Carlin’s autobiography, Last Words, co-authored with Tony Hendra, above, I give you the Man…and the Man in the Mirror.
Hallelujah! Kids, hear this: The immaculate chanteuse, Sade, announced on her web site today that
The highly anticipated new body of work from SADE Soldier Of Love, will be released WORLDWIDE on February 8, 2010.
The cover, shown above, appears to portray the artist from the rear, in Spanish garb. She’s wearing a couture black-and-silver backless silk dress, pale pink roses in her hair, and large silver hoop earrings, as she overlooks the ruins of Teotihuacan in Mexico.
Helen Folasade Adu, 50, right, leads a namesake group with three instrumentalists. The band has sold over 50 million records, since the release of their debut album, Diamond Life,in 1985.
The upcoming release, her sixth studio work, continues the artist’s prerogative for near decade-long gaps between albums.
Love Deluxe (1992) her fourth CD, was released four-and-a-half years after Stronger Than Pride, her third.
But Lover’s Rock followed eight years later, in November 2000. Soldier of Love‘s February delivery will place it at 9 1/4 years since the Nigerian-Britlish song stylist’s previous work, and less than a month after her 51st, January 16 birthday.
No word on singles or track listings yet, but, hey, believe me: We can wait.
The Galaxy Dress by designers Francesca Rosella and Ryan Genz is made up of 24,000 2mm x 2mm color LEDs and 4,000 Swarovski crystals. It can glow for 30 minutes straight before needing to be recharged.
And, when you put it on to go pee in the middle of the night, you don’t have to turn on the lights.