Entries Tagged 'Pop Culture' ↓

No, your eyes do not deceive you, and, no, we will not see the likes of it again: That’s Luciano Pavarotti and James Brown, together, performing “This Is A Man’s World.” (Brown died in December 2006, Pavarotti in September 2007.)

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“I’m sorry…I meant to go to jail!”: Akon makes a mean face

I’m not even an Akon fan. However, I just couldn’t resist the opportunity to write that headline before another blog did.

The Huffington Post got to The Smoking Gun earlier than the rest of us did, pointing out what rigorously fact-checked hip-hop magazines should have known a long time ago: When Senegal-born singer-songwriter-producer Akon

settled on “Konvicted” for the title of his second album, which sold nearly three million copies last year … “Kontrived” might have been a more accurate choice.

Akon’s ad nauseum claims about his criminal career and resulting prison time have been, to an overwhelming extent, exaggerated, embellished, or wholly fabricated, an investigation by The Smoking Gun has revealed.

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Tee-hee. This week, The Huffington Post quoted a New York Times‘s article on the new Wall Street Journal parody, My Wall Street Journal. Apparently, it so angered Rupert Murdoch that someone from the company went throughout Los Angeles, buying up the entire stock of local newsstands.

Last Thursday, Alexander Laurence was working at one such stand in Los Angeles, chatting with a customer, David Metz, when, both of them say, a man in a shirt with a Journal logo asked if anyone had seen a paper that looked sort of like The Journal.

“This guy comes by all the time to bring promotional stuff for The Wall Street Journal — bags, coin trays, stickers,” Mr. Laurence said.

Sure enough, they found what he was looking for. “He grabbed them all, said, ‘I need to buy all of these,’ ” Mr. Laurence said. “He had been going around to different stands, buying them.”

The man paid with a corporate American Express card. “At first he’s saying they have to make a correction or it’s not supposed to be out yet,” Mr. Metz said. “But then he said these are not published by The Wall Street Journal.”

Perhaps what most outraged Murdoch, and what the Huffington Post reproduced but the Times didn’t, was this, above: A full-page, topless spread of conservative “#1 FOX News Fox” Ann Coulter, done painstakingly in stipple, per Journal stylee.

On one hand, though satire, it could be argued that the image refines the use of women’s bodies as a territory over which men do battle, often symbolically, and that this post is part of that.

On the other hand, if accurate, the picture of a sow-like Coulter raises serious questions about the veracity of her Young Americans for Freedom forum quote, in the hed, further proving that conservatives not only mangle the truth, but exaggerate the greatness of Americans, particularly when speaking to naive, impressionable audiences.

What a feeling: Carlton Draught’s “Kevin Kavendish” gets footloose

Here’s the safest bet you can possibly make in your life: When director Adrian Lyne released Flashdance, on April 15, 1983, dollars-to-donuts that neither he nor the movie’s distributor, Paramount, was counting on anyone talking about it a quarter of a century later.

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Bag lady: Victoria Beckham says “Aaah” for photog Juergen Teller

Interesting article from yesterday’s New York Times on the creative partnership between German photographer Juergen Teller and American designer Marc Jacobs. But even more startling are Teller’s images, which have prettied up W and other fashion bibles for a decade: Teller as artist Cindy Sherman’s twin, or, in an incredible story, as Charlotte Rampling’s hapless gigolo.

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“How can I bittorrent this sweet ride?”: Shawn Fanning ponders a VW

I was watching TV yesterday when, out of nowhere, a commercial popped on, featuring, of all people, Shawn Fanning, above, creator of the contraband late ’90s file-sharing service, Napster.

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Against nature: Children of the Unicorn’s idea of a hybrid

When it comes to hard rock with a so-bad-it’s-funny edge, Spinal Tap‘s David St. Hubbins, Nigel Tufnel, and Derek Smalls clearly broke the mold years ago. Couplets like these, from “Hell Hole”…

I rode the jetstream, I hit the top
I’m eating steak and lobster tails
The sauna’s drafty, the pool’s too hot
The kitchen stinks of boiling snails

…reach a stupid-is-as-stupid-takes-itself-too-seriously level that is rarely exceeded in pop music.

But Children of the Unicorn—Phil Costello, Dave Hill, Patrick Quade, Joel Frost, and Szuf Daddy—may be closing in.

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The first time I saw the trailer for 2005’s Star Wars: Episode III: Revenge of the Sith, the images that threw me most for a loop were those of the panoramic space battle over planet Coruscant, pictured below.

With its massive, mile-long cruisers, acres of explosions and laser bolts, and the shimmering, metal world below, I found myself overwhelmed by the realization that digital tools in filmmaking had created new possibilities in the artform, not merely for effects, but for outright visual density.

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Go no further: Snake-Eyes (Ray Park), from G.I. Joe (Summer 2009)

I wasn’t really a fan of the early ’80s cartoon series, G.I. Joe: A Real American Hero, on which an upcoming, live-action movie, above, will be based, but I loved the Hasbro action figures to death.

Lemme take that back: What I loved wasn’t the toys, per se, but the card art and copy. I would have happily collected the cards and given away the toys. If someone, today, sent me pristine copies of the cards from the early ’80’s, without the toys, I would rejoice. Continue reading →

A funky minute of play from the video game Jedi Outcast. Here, Sariss, one of seven Dark Jedi, loses her cool over, and her noggin to, self-trained Jedi master and rebel operative Kyle Katarn. Yeah: Nerds rule.