Entries Tagged 'Music' ↓

Your Album’s Wack. I’m Not Too Crazy About Your Face, Either.

“Don’t be fooled: My face is real. The record is covering my body.”

I’m suddenly not too ashamed to admit that I used to do this before I knew it had a name: “Sleevefacing.” However, I did it with magazines instead of albums. (I wasn’t naked, either.)

Even today, every now and then, I stick a periodical in front of me piehole and strike a pose, just to be silly for the wife.

Aaah, memories.

If You Really Wanna Impress Me, Do “Bohemian Rhapsody.”

Sigh….
Wait…is that…my old lady? I never knew!

This is probably about as close to perfect as it gets: Rupert Holmes’ FM classic, “Escape (The Pina Colada Song),”acted out by Sims.

This Is One Bugged-Out Talk Show.

Fanning makes small talk
“How can I bittorrent this sweet ride?”: Shawn Fanning ponders a VW

I was watching TV yesterday when, out of nowhere, a commercial popped on, featuring, of all people, Shawn Fanning, above, creator of the contraband late ’90s file-sharing service, Napster.

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Best. Dumb. Metal. Song. Ever.

One uncomfortable dolphin
Against nature: Children of the Unicorn’s idea of a hybrid

When it comes to hard rock with a so-bad-it’s-funny edge, Spinal Tap‘s David St. Hubbins, Nigel Tufnel, and Derek Smalls clearly broke the mold years ago. Couplets like these, from “Hell Hole”…

I rode the jetstream, I hit the top
I’m eating steak and lobster tails
The sauna’s drafty, the pool’s too hot
The kitchen stinks of boiling snails

…reach a stupid-is-as-stupid-takes-itself-too-seriously level that is rarely exceeded in pop music.

But Children of the Unicorn—Phil Costello, Dave Hill, Patrick Quade, Joel Frost, and Szuf Daddy—may be closing in.

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Now Everybody Can Bargle Nawdle Zouss

Come as you are…

Though almost nothing is cooler than the “Smells Like Teen Spirit” video that Samuel Bayer directed for Nirvana, if you can believe it, nearly two decades ago, in 1991—not Weird Al” Yankovic’s parody or Paul Anka’s big band-styled tribute—this $44.99, 18-inch figure of Kurt Cobain from the classic vid comes close. (Thanks to super-blogger and fellow New Zealand-phile Hanan Levin at Grow-A-Brain for the tip.)

It not only talks, nor solely comes in a 7-inch, $16.99 version but, revelation!, also makes obvious that Cobain’s competition model 1969 Fender Mustang was finished in “Lake Placid Blue.” Somehow, I’d never noticed this. Perhaps I was distracted by all the marbles in his mouth.

Love Music? Got Three Extremely Large Bills?

Stars on 45s

Somebody’s selling their entire music collection—3 million records, 300,000 CDs—on Ebay. (Those are just some of the 1,500,000 45s, above.)

Says the page

Organized and cataloged, the collection is meticulously maintained and housed in a climate-controlled warehouse. Every recording in this amazing collection has been personally acquired by the collection’s owner over the past fifty years and represents a lifetime of work and his desire to see the music preserved for future generations. Deteriorating health and related financial concerns are forcing the owner to sell the collection at far less than its true value. The estimated value of the collection, on a per-item basis, is in excess of $50 million.

Opening bid: $3 million. You’ve got 5 days.

The Pen is Mightier Than the Shotgun

Word balloon

The almost certainly pseudonymous Winston Rowntree is my new favorite comic strip artist in the world, just based on these two pieces from his ongoing Subnormality series: an explanation of how wack bands top the charts, and a quick guide on how to choose when picking air fresheners for your car.

Bring That Beat Back

I don’t really care about the new $44,825, 2008 Mercedes-Benz M-Class, or Benzes generally, but I would give my eyeteeth to get a high-quality loop of the music that beds this commercial, titled “Most.”

In the spot, while car action footage mixes with testimonials to M-B superiority from Mercedes engineers, factory workers, and other employees, a full chorale sings a hushed epinicion, or song of triumph, underneath. One can detect a bowed string bass, and very occasional, light percussion. Together, the sound is warm…and expectant.

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Hip-Hop’s Annus Mirabilis

Look at the following list:

Public Enemy, It Takes a Nation of Millions to Hold Us Back

N.W.A, Straight Outta Compton

Slick Rick, The Great Adventures of Slick Rick

EPMD, Strictly Business

Boogie Down Productions, By All Means Necessary

Big Daddy Kane, Long Live the Kane

Ultramagnetic MC’s, Critical Beatdown

Eazy E, Eazy-Duz-It

Eric B. & Rakim, Follow the Leader

Biz Markie, Goin’ Off

Salt-N-Pepa, A Salt with a Deadly Pepa

DJ Jazzy Jeff & the Fresh Prince, He’s the DJ, I’m the Rapper

Jungle Brothers, Straight Out the Jungle

Now, consider this: All of these albums were released in one twelve-month period, in 1988.

I could keep going. Marley Marl, In Control, Vol. 1. Kool G Rap & DJ Polo, Road to the Riches. King Tee, Act a Fool. Ice-T, Power. 2 Live Crew, Move Somethin’. Too Short, Life is…Too Short.

What, exactly, happened twenty years ago that enabled so many artists to release so many albums of such high quality is such a short period of time? What created hip-hop’s annus mirabilis; “year of miracles”?

Today, Wednesday, March 5, 2008, 2 pm ET, I’ll be on WNYC/93.9 FM’s Soundcheck, with John Shaefer, talking to John and RS.com (Rolling Stone) editor Kyle Anderson, attempting to address this very question. (Later on, I’ll also be talking about with John about my VIBE piece on Palestinian hip-hop.) RS.com has their own analysis, here, and Soundcheck has a link, in case you missed the live broadcast. Let’s see if we can move somethin’.

Freakonomics

Edison Chen Super-Porno StarI’d never heard of Canadian-Chinese pop singer Edison Chen, 27, until a link on racialicious.com told me his sordid story. In short: Brother took a laptop in to have it fixed. Then, in late January 2008, a picture of him in a compromising position with an Asian starlet appeared on the web.

At first, Chen gave the usual excuses—It’s not me, I’m being framed, etc. But, then, soon, more of the explicit flicks appeared, not just one or two, five or six, but dozens.

Cecilia Cheung Pak-zhi Continue reading →